And didn't that pay off last night? Best "Sopranos" in recent memory, expertly done throughout, from the barbed juxtaposition of Tony in Jersey to Carmela -- looking quite fetching -- in Paris to the final shot of a trimmed down Vito. And the scene where Vito's kids read their father's obit was stunning.
Monday, May 22, 2006
Hate the sin, love the sinner
I've heard that cliche many times, only in person, though, never in movies or on TV. Little surprise I finally catch it being used on "The Sopranos." No one's got an ear for the culture -- East Coast, West Coast, North and South -- quite like David Chase.

And didn't that pay off last night? Best "Sopranos" in recent memory, expertly done throughout, from the barbed juxtaposition of Tony in Jersey to Carmela -- looking quite fetching -- in Paris to the final shot of a trimmed down Vito. And the scene where Vito's kids read their father's obit was stunning.
And didn't that pay off last night? Best "Sopranos" in recent memory, expertly done throughout, from the barbed juxtaposition of Tony in Jersey to Carmela -- looking quite fetching -- in Paris to the final shot of a trimmed down Vito. And the scene where Vito's kids read their father's obit was stunning.
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I love the Tim Van Patten-directed episodes; they never disappoint. Did you notice that Carm wore SIX different coats during her Paris vaca?
ReplyDeleteBTW, what are you doing up so late? Or is it early?